Italian Early Renaissance Painter, 1397-1475
Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco Related Paintings of UCCELLO, Paolo :. | Head of Prophet | Miracle of the Desecrated Host (Scene 4) aet | Battle of San Romano (mk08) | Creation of the Animals and Creation of Adam | Opera and Trunkembeit Noachs | Related Artists:
Carl JutzGerman, 1838-1916
Peter van BloemenPieter van Bloemen, called Standaart (bapt. 17 January 1657 - 6 March 1720), first name also spelled Peter or Peeter, was a Flemish painter.
Van Bloemen was born in Antwerp, where he attained the status of master at the age of 17. He then went to Rome, where he remained until 1694, adopting completely Italian manners. In 1699 he became dean of the Guild of Saint Luke in Antwerp. He was the teacher of his younger brother Jan Frans van Bloemen, a highly regarded painter of classical landscapes. The brothers travelled widely together, often collaborating on works, with Pieter taking on the role of figurista in Jan Frans' vedute, a role he also performed for many other artists.
COORTE, AdriaenDutch Baroque Era Painter, ca.1660-1707
Dutch painter. He painted mainly small still-lifes, but contrary to the contemporary fashion for increasingly complicated representations of flowers and fruit, he preferred to paint single objects arranged as simply as possible. Coorte's subjects were generally fruit or vegetables, sometimes shells and, more rarely, flowers or vanitas arrangements. These are generally arranged on a stone plinth or slab, often with a crack or groove on the front edge. In the larger paintings the composition is sometimes enclosed in a niche